Supergroup Flying Colors will be releasing their brand new live album, ‘Third Stage: Live in London,’ on 18th September via Music Theories Recordings – home to Ayreon, Jordan Rudess, Von Hertzen Brothers, Michael Romeo, Jason Becker, Paul Gilbert and Spock’s Beard.

‘Third Stage: Live in London’ was filmed during their 2019 US and European tour and the footage captures the exhilarating sold-out final night, on the 14th December at the iconic Grade II Listed, Shepherd’s Bush Empire, London. The album will be released on several formats including, an Earbook (Inc. coffee table book), Orange transparent 3LP, Blu-ray, digitally and 2CD/DVD. The DVD also includes bonus material of music videos and concert footage of their Morsefest 2019 performance in Cross Plains, Tennessee.

When you combine this calibre of supergroup musicians - guitarist Steve Morse (Deep Purple, Dixie Dregs, ex-Kansas), drummer Mike Portnoy (Winery Dogs, ex-Dream Theater, Transatlantic), keyboardist/vocalist Neal Morse (Transatlantic, ex Spock's Beard, and a prolific solo artist in his own right), bassist Dave LaRue (Dixie Dregs, ex-Joe Satriani), and powerhouse vocalist and songwriter Casey McPherson (Alpha Rev, The Sea Within) – the results are going to be lightning in a bottle.

They had only played 9 exclusive shows on the tour, culminating at the sold-out show in London, which saw Portnoy stand up mid-set and quip, “Welcome to the rarest of all sightings, rarer than a UFO sighting, rarer than a sasquatch sighting. A Flying Colors sighting, here on stage in London. This is a very sad night for us because it is the last night of the tour and we don’t get to play together enough, so we’re going to savour every moment tonight and enjoy each and every moment here on stage.”

Their latest studio album ‘Third Degree’ had only been released two months previously, and songs from that record make up just under half to the night’s setlist with the rest of the songs coming from the 2012 self-titled Billboard Top 10 debut and 2014s worldwide Top 10, ‘Second Nature.’ Backed with a HD projector screen, the five take the stage in the darkness amidst a rumble of applause and immediately groove into opener ‘Blue Ocean,’ and from the outset, their technical virtuosity, joyous melodies and reflective lyricism wash over the crowd proving to be the cornerstones of the Flying Colors sound.

Talking about walking out on the stage, McPherson recalls; “I remember how I felt right before the show in London. I was excited because my oldest daughter and her grandmother were there, whom I love dearly, and felt like I had the show, down by then. It's always a good feeling to take the stage when the material is ingrained enough to just let go and let it out!”

They flow into the melodic progressive wonderment of ‘A Place In Your World,’ featuring guitar heroics from Steve Morse before they shift up a gear further for a duo of thunderous new songs, ‘The Loss Inside,’ and the almost rousingly apocalyptic sounding ‘More’ – it’s this that makes them so special, the ability to weave through several genres simultaneously.

The sight of LaRue and Portnoy bouncing off one another is a gloriously effortless sight to behold, whilst the wizardry of Neal Morse throughout is hypnotic. The band flit nimble-fingered through complex yet musical treasure-trove of accessible and sophisticated pop songs, jazz-fusion, progressive-rock and multi-layered vocals from Macpherson, Neal Morse and Portnoy - giving the band added dimensions, many can only dream of. ‘Kayla’ lights up the room and makes the 100-year-old theatre feel like the most intimate of settings.

From its opening in 1903 as a Music Hall, hosting variety performances and revues from the likes of Charlie Chaplin the venue has been a captivating one. The Shepherd’s Bush Empire was designed by architect Frank Matchem, who also designed the world-famous Palladium, Victoria Palace Theatre and London Coliseum. Its mix of stunning Art Nouveau and Baroque style creates a luscious backdrop to the spiralling psychedelic progressive pop stylings of this supergroup. “The Shepherd's Bush Empire is a classic theatre. Little nooks and crannies backstage, and that ornate vibe in the hall. Great people to work with which always makes for a fun gig,” says McPherson.

As the camera weaves from cascading light effects and a captivating video backdrop to the view from the stage, sweeping above the crowd and along the lavish balconies, it’s visually stunning and as the band journey through their back catalogue it at times creates an almost spiritual awakening and has you hooked through further crowd favourites such as ‘Geronimo,’ ‘Infinite Fire’ and new songs alike until it reaches its triumphant finale ‘Mask Machine.’

“Playing in Flying Colors is like being in a movie,” says the singer. “It’s so incredibly powerful emotionally, and to think this was going to be the last show was a bittersweet feeling. I love the other guys in the band and we always have such a good time on the road together. Our Chemistry is like really good sushi. There's not one ingredient you could replace and it taste that good. It is one of the kindest and uniquely unified band's I've ever been in.”